Response from Varda:
Many thanks for this excellent musing on a theme dear to my own heart.
It is strange too, because in the Empire supplement on 'The World's
Greatest Directors' Jackson is included, but it is in discussing
another director, Quentin Tarantino, that the editor points out that
one of the most enduring themes of film is friendship and its opposite,
betrayal. It just looks so darn good on screen, remember Frodo running
through Shelob's lair screaming for Gollum?
I think you are correct to include Frodo, but only because Tolkien
himself had a black and white attitude to misdeeds and in that moral
scheme Frodo was a failure.And for Tolkien, once you fell, you were
out; there is no way back for Boromir, Saruman and Gollum. Even those
who seem to have been 'rehabilitated' after their slip, like
Théoden and even Frodo, only buy a respite before they are
destroyed.
Frodo's failure, however, was a glorious one; and it was programmed
into the story. Gandalf and Elrond must know that Frodo does not have
the strength to resist the Ring for ever. They intend him to get to
Mount Doom then let fate do its work, and it does. So Frodo's 'failure'
is not only forgivable but necessary and inevitable. Also, as no-one
feels let down or failed by Frodo (in fact everyone sees him as the
saviour of Middle Earth) his failure can't really be seen as betrayal
in the conventional sense of the word.
Denethor is given too little credit for what he has achieved in the
defence of Gondor. But his betrayal is despair. Tolkien always sees
despair as a great betrayal, for it loses us the future. It is not as
obvious as Theoden's despair and succumbing to Wormtongue, but it is
insidious and corrosive, and it destroys his house and almost his line.
I would see Boromir as the classic betrayer, the closest to Judas as he
is like Iscariot a loved member of a Fellowship. He is trusted, unlike
Smeagol, who is trusted by Frodo but mistrusted to a hilarious degree
by Sam. Also unlike Smeagol, Boromir is honoured and lauded by all and
has a high position in the land, son and heir to the Stewardship of
Gondor. So highly is he regarded that he is not suspected right up to
his betrayal, whereas Smeagol has slipped away some time before he
tricks the hobbits into Shelob's path. Unlike Judas, however, Boromir
does not betray for gain, but for what is actually a good cause, the
survival of Gondor. He does wrong for the right reasons, as the Ring
can twist people's purposes and principles.
Gandalf says to Aragorn that Boromir redeems his betrayal by dying in
the defence of the hobbits. But as Aragorn says, it is a bitter end; he
dies not really knowing if Merry and Pippin are still alive and
receives Aragorn's encouraging words with an enigmatic smile just
before he dies. He is not really redeemed, and may not feel forgiven.
This is a bitter death, and shows Tolkien reserves the worst punishment
for betrayal, even by those who are not themselves actually evil.
Tolkien similarly allows no way back to Saruman, who has betrayed not
only his own high rank but the races of Middle Earth he was sent to
guard. He is offered forgiveness by Frodo but Tolkien hardens the
wizard's heart and he dies by the hand of one he has himself betrayed.
Smeagol does seem to be the closest to Judas. But Judas was a loved and
trusted member of an inner circle. Not even Frodo loves Smeagol, and
his wretchedness is really from his role as outcast as well as his
misery at losing the Ring. His betrayal of Frodo comes as an ambush
rather than as a surrendering of a trusting comrade. When Sam rails at
him, Frodo answers wearily 'If he is false, he is false...' Frodo's
fatalistic acceptance of Smeago/Gollum's treacherous nature arises from
his understanding, because of his own experience of carrying the Ring,
of how it pushes and pulls ones heart and mind.
But still, Smeagol's betrayal of Frodo is more personal and painful
(and more disastrous) than Boromir's, because Frodo places trust in
him, and more, he lifts him up and tries to treat him like a person,not
a beast. The scene where Smeagol watches Frodo and Sam sleeping, and
feels overcome by tenderness and pity for Frodo, shows how close
Frodo's compassion comes to saving Smeagol. But just then Sam wakes up
and sees him 'pawing' his beloved master, and abuses him, and the
opportunity is lost forever, and Smeagol sinks back into bitterness and
resentment that will fuel his betrayal.
Frodo obeys Gandalf and spares Smeagol because he might 'yet have some
part to play' but it is not clear that he is just destiny's tool.
Smeagol's death is the result of his own actions, and those spring from
what he is. He precipitates the catastrophe, just like Judas, but in
following his own urges. Character is fate, in the end.